Welcome to the Wicked Stage

This is the Wicked Stage, a blog of theatre reviews by the students of the Watershed School. What happened was this: I was approached by Jason Berv, who runs the school, to create a week-long theatre class for students, using my perspective as a playwright, actor, teacher, and theatre critic. I decided to have the class focus on theatre from the point of view of a critic. I used the model of nytheatre.com, where I where I was a senior reviewer for several years, as the template for the kind of reviews we would write. So each day the students and I talk about theatre and reviewing and all the elements that comprise a play, and each night we go to a different theatre, take backstage tours, attend shows, and have talk backs with the cast after the show. So far, we've seen Mariela in the Desert at the Denver Center Theatre Company, Hamlet- Prince of Darkness at the National Theatre Conservatory, and Opus at the Curious Theatre. Tonight, we see our last show, Nine, at the Arvada Center. In the blogs that follow, you'll see the reviews that the students have written about the shows.
Enjoy.

Friday, April 23, 2010

Hamlet Prince of Darkness Reviewed by Polonius The Clown

While walking onto the set of Hamlet Prince of Darkness, we are told not to disturb the evidence. Indeed the whole play is set up like a crime scene. The bodies lying on the ground and the watchman standing over them all add to this experience. This play is darker than your average Hamlet. Part of that comes from the director, (Robert Richmond) who seems to have stripped away the outer drapes, the fluff, and shown what is in the heart of Shakespeare's famous prince.

In its simplicity, the set (designed by Reuben Lucas) also enhances the darker, more raw form of Hamlet Prince of Darkness. From the costumes (designed by Meghan Anderson Doyle) to the props everything is focused on simplicity, which in turn enhances the show. The lighting (Robert Byers) is the exception to this simplicity. It seems to be to be almost another character in the play. It is complex, but not extravagant. It enhances the show by giving the stark shadows that are needed to truly turn the stage into the land of darkness.

As we know from the name of the play, Hamlet is the prince of that darkness. In this play one person is not enough to give life to this classic character, so four people take on the role. (Sean Lyons, Rebecca Martin, M. Scott McLean and Jenna Panther) These four play the role well, switching between Hamlets mood by switching the actor playing him. Starting with sane spoiled brat and ending in total insanity. No matter which actor, they play the role and the prevalent emotion extremely well. Indeed all the actors are fabulous and it is this more than anything that makes this play worth seeing.

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